A Carnegie Hall Christmas Concert
01.Listen Traditional: The Twelve Days of Christmas
02.Listen Jester Harrison: Mary’s Little Boy Chile
03.Listen Pietro A. Yon: Gesu Bambino
04.Listen Wolfgang Amadeus Mozart: “Alleluja”
05.Listen Richard Rodgers/Oscar Hammerstein: My Favorite Things
06.Listen Felix Bernard/Dick Smith: Winter Wonderland
07.Listen John H. Hopkins, Jr.: We Three Kings Of Orient Are
08.Listen American Songs
09.Listen Mel Torme/Robert Wells: The Christmas Song
10.Listen Franz Gruber/Joseph Mohr: Silent Night
11.Listen George Frideric Handel/Israel Watts: Joy To The World!
12.Listen Engelbert Humperdinck: Abendsegen (Evening Prayer)
13.Listen Engelbert Humperdinck: Abendsegen (Evening Prayer)
14.Listen Max Reger: Maria Wiegenlied, Op. 76, No. 52
15.Listen Christmas Songs:
Kathleen Battle, Soprano; Frederica von Stade, Mezzo-soprano; Wynton Marsalis, Trumpet; Andre Previn, Conductor/Piano; Nancy Allen, Harp; The American Boychoir (James Litton, Music Director); The Christmas Concert Chorus (Robert De Cormier, Director); The Wynton Marsalis Septet: Wes Anderson, Alto Saxophone; Wycliffe Gordon, Trombone; Herlin Riley, Drums; Reginald Veal, Bass; Stephen Scott, Piano; Herbert Harris, Tenor and Soprano Saxophone; The Orchestra of St. Luke’s
DETAILED TRACK LIST
1. Traditional: The Twelve Days of Christmas
(arr.: Arthur Harris)
Ensemble
2. Jester Harrison: Mary’s Little Boy Chile
(orch.: Hale Smith)
Miss Battle, Miss von Stade, Mr. Marsalis, Boychoir, Chorus, Orchestra
Crusher Bennett and Victor See Yuen, Calypso Percussion
3. Pietro A. Yon: Gesu Bambino
(arr.: Arthur Harris)
Miss Battle, Miss von Stade, Boychoir, Orchestra
4. Wolfgang Amadeus Mozart: “Alleluja”
From Exsultate, jubilate, K. 158a
Miss Battle, Orchestra
5. Richard Rodgers/Oscar Hammerstein: My Favorite Things
From The Sound Of Music
(arr.: Arthur Harris)
Miss von Stade, Orchestra
6. Felix Bernard/Dick Smith: Winter Wonderland
(arr.: Wynton Marsalis)
The Wynton Marsalis Septet
7. John H. Hopkins, Jr.: We Three Kings Of Orient Are
(arr.: Wynton Marsalis)
The Wynton Marsalis Septet
8. American Songs:
John Jacob Niles: I Wonder As I Wander
(arr.: Robert Sadin)
Traditional: Mary Had a Baby
(arr.: Robert Sadin)
Traditional: Oh Mary, What You Gonna Name That Pretty Little Baby?
(arr.: Sylvia Olden Lee; adptd./orch.: Robert Sadin)
Traditional: Who Was Mary? Mary Was Queen of Galilee
(arr.: Wendell Whalum; adptd./orch.: Robert Sadin)
Traditional: Sister Mary Had-A But One Child
(arr.: Roland Hayes; adptd.: Nancy Allen)
Traditional: Go Tell It On The Mountain
(arr.: Don Marsh; orch.: Arthur Harris)
Ensemble
9. Mel Torme/Robert Wells: The Christmas Song
Miss Battle, Mr. Previn
Tony Falanga, Bass; James Saporito, Drums
Hugh Martin/Ralph Blane: Have Yourself A Merry Little Christmas
Miss von Stade, Mr. Previn
10. Franz Gruber/Joseph Mohr: Silent Night
(arr.: Wynton Marsalis)
Miss Battle, The Wynton Marsalis Septet
11. George Frideric Handel/Israel Watts: Joy To The World!
(arr.: Wynton Marsalis)
The Wynton Marsalis Septet
12. Engelbert Humperdinck: Abendsegen (Evening Prayer)
From Hansel and Gretel
Miss Battle, Miss von Stade, Orchestra
13. Michael Praetorius: Lo, How A Rose E’er Blooming
(Es ist ein’ Ros’ entsprungen)
(arr.: Arthur Harris)
Miss von Stade, Boychoir, Chorus
14. Max Reger: Maria Wiegenlied, Op. 76, No. 52
(arr.: Robert Sadin)
Miss Battle, Miss von Stade, Orchestra
15. Christmas Songs:
Traditional English (XV Century): I Saw Three Ships
Traditional: The First Noel
Traditional American: Away in a Manger
Traditional English: Away In A Manger
Traditional Welsh: Deck The Halls
Traditional English: The Holly And The Ivy
Adolphe Adam: O Holy Night (Cantique de Noel)
Traditional French: Angels We Have Heard On High
(All selections arr.: Alexander Courage)
Ensemble
LINER NOTES
Joy abounds in a glorious showcase of diverse seasonal offerings in “A Carnegie Hall Christmas Concert.” Featuring four of the music world’s brightest and most versatile stars, the event had roots in several worlds and reflected the profusion of musical genres that have echoed for over a century in the inviting warmth of this great hall.
Merrily decked out in Christmas finery, Carnegie greeted some of America’s most brilliant artists, who in themselves demonstrate a wealth of diverse talents: soprano Kathleen Battle and mezzo-soprano Frederica von Stade, two of opera’s most gifted stars, who have also found success in the non-operatic repertoire; the Wynton Marsalis Septet, led by the world’s pre-eminent jazz and classical trumpeter; the multi-talented maestro Andre Previn, at home in so many areas of music as a conductor, composer and pianist, and here directing The Orchestra Of St. Luke’s; harpist Nancy Allen; the youthful members of the American Boychoir, and the Christmas Concert Chorus of celebrated choral master Robert De Cormier. Adding to the festivities were Miss Battle and Miss von Stade’s gowns, brightly shining in complimentary Christmas red and green, and the three huge murals, framed by the moldings of the stage’s rear panels and inspired by Russian lacquer boxes; two rural snow-scenes flanking a tableau of reindeer in harness.
While the concert’s program came from many lands, the gala also celebrated the vast ethnic variety of Christmas traditions in the United States, as exhibited in two full ensemble medleys – one international, the other distinctly American, reflecting both African and European traditions.
The musical genres and styles were as varied as the nationalities. Miss Battle easily encompassed the earthy fervor of African-American spirituals, the pristine coloratura virtuosity of Mozart’s “Alleluja” from Exsultate jubilate and the cabaret intimacy of Marsalis’ “Silent Night” arrangement; Miss von Stade proceeded with equal aplomb from the Renaissance solemnity of Praetorius’ “Lo, How a Rose” (an arrangement with the unaccompanied choruses), to the delightful “My Favorite Things” and the rustic simplicity of “I Wonder As I Wander.” Both ladies brought persuasive verve to the calypso lilt of “Mary’s Little Boy Chile,” while throughout, Wynton Marsalis interpolated poignant trumpet commentaries.
The Mozart “Alleluja,” the naively angelic “Evening Prayer” from Humperdinck’s Hansel und Gretel, and Reger;s folk-based “Maria Wiegenlied” (“Lullaby of Mary”) represented the classical world with which Misses Battle and von Stade are most closely associated. Mr. Marsalis’ brought a progressive jazz perspective to old favorites such as “Joy To The World” and “Winter Wonderland” and an ingenious inventiveness to “We Three Kings,” in which Marsalis’ trumpet riffs shared the limelight with Herbert Harris’ soprano saxophone improvisations. The more traditional accompaniments to the two singers in “The Christmas Song” and “Have Yourself A Merry Little Christmas: allowed Mr. Previn to display his considerable talent as a jazz pianist.
What perhaps will linger longest in the memory are the rousing performance of “Go Tell It On The Mountain” and the last chorus of “The Twelve Days of Christmas” in which Misses Battle and von Stade offered a special Christmas present: a brief interpolation of the love duet between Sophie and Octavian from Richard Strauss’ Rosenkavalier.
The evening’s artistry and splendour captured the season’s joyous message with enthusiasm and grace, making the night truly, as The New York Times hailed it, “A Christmas Feast from Carnegie Hall.”
